When most people think think of technology they think of nerds, punch cards, and Warhammer fanatics. The problem is; most people are wrong. Digital technologies today are, in fact, providing innovative and creative tools for artists and designers. We’re seeing a new era of technological interaction, the experiences we get from ‘new media art’, such as the T-Mobile flashmobs, are our reward in this new era.
Last Friday the coolest kids in Wunderman (the planning team) went on a school trip to sample the V&A’s finest at the Decode exhibition. We asked some of them for their highlights.
Angus MacDonald, Information Manager
My personal favourite was the Weave Mirror by Daniel Rozin. The installation is deceptive; outwardly simplistic yet inwardly complex. It’s made up of a number of pieces of weaved fibre connected to a computer system, as you moved around the piece reacts to produce a shadow of the viewer reacting to both lateral movement and depth of field. I particularly like this piece for its steam punk aesthetics; they way in which it ties the old and the new together.
Will Poskett, Grad Planner
I was surprised by a lot of things that day, not least of which were the prices at the Imperial Student Union’s bar afterwards. My favourite piece however was Videogrid by Ross Phillips for its playful yet creatively open concept. It’s essentially a large screen made up of a number of all smaller screens on which viewers record quick snippets of themselves. At first most people just played with the exhibit, but as time went on narratives started forming between the different snippets. It’s a great piece of work with a lot of creative potential, it’s only limit is the imagination of the observer.
Laura Castrillo, Consumer Insight Analyst
I was pretty much blown away by the exhibition from the start. My particular favourites were pieces where the user was encouraged to interact. House of Cards by James Frost was a standout winner for me. You may recognise the piece as the 2008 Radiohead video. I think the thing I liked most about it was the response rate to my interactions; it was amazing how it could handle a wide range of motions in a visually stunning way.
Tom Gibby, Account Planner
My favourite was Body Paint by Mehmet Akten. Akten designs and develops tools to explore new forms of digital interaction. Body Paint is an installation which allows users to paint on a virtual canvas with their body, interpreting gestures and dance into evolving compositions. Custom software analyses, in real-time, a feed from infra-red cameras and converts shape and motion into splashes and brush-strokes of colour.
The interaction is simple – movement creates paint. Hidden in the simplicity, are subtle layers of detail; different speeds, size and types of motion create different outputs. The audience is left to discover these details by playing with the installation. While the installation is suitable for a single person, with multiple a new dynamic emerges. User-to-user interaction is born; the audience start playing with each other through the installation.
The piece is a brilliant example of digital interaction; it’s both accessible (through its simplicity) and engaging (through its colourful reward). All it needs is a Sony logo and the “Colour. Like no other” tagline; an interactive ad waiting to be deployed.
The Decode exhibition runs until the 11th of April at the V&A Museum.
Ekaterina Barkova, email specialist
Some brands take a different approach; offering reservations for the special day, or even a set menu and ideas for a romantic evening (above). Travel operators capitalise as well with emails full of ideas for romantic breaks and days out.

“I spend a lot of time online and in front of my computer, either working or trying to keep up with the fast paced technical and creative worlds, so I really appreciate when someone or something breaks my thoughts away from the desktop. It inspires and reminds me to think ‘outside the box’. Here are four real world innovative engaging experiences which have inspired me recently. I hope you enjoy them as much as I do.”